» Basics of Time-lapse
» Requirements
» Taking the pictures
» Making the movie
» Advanced techniques
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Basics of Time-lapse


Time-lapse: Denoting the photographic technique of taking a sequence of frames at set intervals to record changes that take place slowly over time. When the frames are shown at normal speed, or in quick succession, the action seems much faster.

So, what exactly does this mean and how do we achieve this Time-lapse effect? You'll need a camera and a subject that changes over time, like a sunset or flowers. Then simply need to take photos at a different speed then at which you will play them back.


Take a total of 100 photos, taking one photo every 10 seconds
100 photos x 10 seconds = 1000 seconds
Make a movie playing at 25 fps from these photos, the movie will be 4 seconds long
100 photos / 25 frames per second = 4 seconds
This movie will speed up time by a factor of 250
1000 seconds / 4 seconds = 250x

So if a flower normaly takes half an hour to open, you can show that flower opening with a movie 8 seconds long if you take one photo every 10 seconds and play it back at 25 frames per second
2000 seconds / 250 = 8 seconds

Using this basic knowledge, you can take the photos at a shorter or longer interval and play them back faster or slower to achieve different effects, it is advised to choose the playback speed in such a way that the motion of the movie is smooth, not to fast nor to slow. You can make a Time-lapse movie from just about anything, just let your imagination take control.

To get a better idea of what Time-lapse is; view my Time-lapse Movies.


Recording - the camera

For this you can use a digital or analog device. Digital is preferable as that will make the following steps much easier. The device can be a still camera, video camera, webcam or something equivalent.

A very important requirement is that you can control the interval at which the device takes pictures (see Trigger, below). It also needs to have enough storage to be able to hold all the pictures that you want for your Time-lapse, they can either be stored on the camera or the computer. The camera of course needs a good battery, or you need to use an AC adapter to give it continuous power.

Trigger - an intervalometer

If your camera doesn't support interval shooting on its own; use a computer or an intervalometer to trigger the camera instead. See the topic 'Taking the pictures' for a list of useful software and possible intervalometers.

A computer will need to be connected to the camera via an USB cable, and make sure that the camera is set to the correct USB mode (PTP/MTP) to allow the computer to control it. A laptop might be most useful because it is very flexible, and can be taken to places where a desktop computer can not. You do have to make sure that your laptop battery will last long enough.

Stability - a tripod

A tripod is very important when making a Time-lapse movie. It will ensure that all pictures are aligned correctly. Sometimes it can be useful to weigh down your tripod with extra weight to lower the center of gravity and increase stability.

If you don't have a tripod, you can use a flat and steady surface instead. Make sure that your camera is stable by slightly 'pushing' it around and seeing if it moves or remains stable.

Composition - a subject

Of course you also need something to make the pictures of, preferably something that moves. Try to predict how the subjet will move over time to make certain that your camera covers the correct angle and uses the correct interval to show the motion.

Possible subjects:
Clouds, flowers, ice, clockwork, people, animals, traffic, sunrise, sunset and stars.


Taking the pictures

Some cameras have a built-in intervalometer which allow you to take Time-lapse photos without an external device. If your camera doesnt have this option (or if are using a webcam) you need a computer with the right software or an intervalometer to take control over the camera.

Depending on your software/hardware/subject you must select an interval (e.g. 5 seconds) between each photo and the total amount (e.g. 500) of photos to be made. Then initiate the shooting and wait while your photos are being taken. Then tranfer them to your computer (if you where using the computer to make the photos, the photos most likely will already be transfered to the computer). After this you can make a movie out of them.


If you do use a battery, make sure that it is fully charged. If you intend to make a long Time-lapse or if you are shooting via the computer I suggest you use an AC adapter for the camera: to keep it powered for an unlimited time. I almost always use an AC adapter when shooting Time-lapse, it is more reliable then a battery. Moreover, some AC adapters allow the battery to remain in the camera so it will act as backup should the power fail.


Check that you have enough space left on your memory card to fit all the images that you want to take. If you don't have enough storage you might consider setting your camera to a lower quality setting (not recommended). Or just buy a larger memory card, since memory cards are fairly cheap these days you can easily buy an 8GB+ memory card which can hold many photos. I recommend shooting in the highest quality possible. This gives you the most flexibility when you process the images.

Exposure mode

Usually you should put your camera in Manual mode (a fixed aperture and exposure time), because that will prevent a lot of flickering in the resulting movie. Make sure that you take some test shots before starting the Time-lapse to make sure the exposure is set correctly.

When lighting conditions are very inconsistent, it may be beter to let the camera determine the shutter speed, you should then use Aperture priority mode (fixed aperture) to prevent changing of Depth of Field, while letting the camera decide the appropriate exposure. If there is still flickering in your movie, see the Advanced section on ways of fixing this.

You should not use Auto White balance, set the camera to a specific white balance preset to keep it constant throughout the movie. This is especially important if you shoot JPG, since that makes it more difficult to adjust it later.

Manual focus

If your camera supports manual focus and your subject will remain at approximately the same distance; use manual focus. If you use auto focus your camera might fail to focus correctly on some shots, which does not look pretty in the final movie. Using manual focus will also increase your camera's battery life.

Computer controlled

When using a computer to control your camera make sure that the camera's USB mode is correctly set. Most cameras can be set to either 'Mass Storage' or 'PTP' (or 'MTP'), to control it via a computer the camera has to be set to PTP (or MTP) mode.


There is a lot of software and hardware available to control cameras for Time-lapse shooting, here are some examples:

Mac Software:
Sofortbild (Nikon)
Nikon Camera Control Pro
iStop Motion
Bear's Hand
Windows Software:
digiCamControl (Nikon, free)
DCamCapture (Nikon, free)
GBTimeLapse (Canon)
Nikon Camera Control Pro
Other intervalometers:
Built-in intervalometer
The Time Machine
Pclix XT
Remote Timer
CHDK firmware (Canon)

How to make movies out of pictures

Once you have made the photos for your Time-lapse movie you will want to make a movie out of them, here are some tips to help you do that.

Tip; First frame

If you have to press a button on your camera to start the Time-lapse shooting I suggest you do this:
Often when you press the botton on your camera, to make the first photo, you move the camera a little bit, this causes the first photo to be a bit off center when compared to the photos, therefore I suggest you remove the first photo before you make the movie.


There is a lot of software that can help you to make a movie from your images. Some are free, some are not, some are better then others, some offer more options then others... I suggest you take a look at all of them and see which best fits with your needs.

Software Mac Windows Linux Free?
Apple QuickTime 7 (Pro)
Adobe Software
LrTimelapse (Lightroom plugin)
Virtual Dub
Apple Final Cut Pro X
Time Lapse Assembler
Timelapse Thing

Exporting the movie

My general export settings:
Export movie: QuickTime Movie
Video codec: x264
Data rate: ±1500 kbits/sec
Image size: (Fit within) 640x640

The size and data rate are such that it fits well on my website and loads fairly quickly for almost everyone, yet maintains high quality. Besides these basic settings I also export my movies into a couple other formats (webm, ogv, iphone compatible h264), to make sure that everyone with a modern browser can view them.

Walkthroughs for QuickTime and After Effects

Here are two methods to make movies with Apple QuickTime Player 7 (not QuickTime X). One with the Pro ($30) version and one with the free version. If you use Snow Leopard or later read this to get QuickTime Player 7. There are also some basics for using Adobe After Effects to assemble a movie.

I will assume that all frames for your movie are in one folder and in correct alphabetical order. Some programs require the frames to be named sequentially (without gaps), this can be a problem if you removed some (bad) frames. A program to batch rename program can easily fix this; I personally use A Better Finder Rename.

QuickTime 7 Pro ($30)

  • You do not need to scale the images beforehand for a smaller movie; you can resize the movie when you export it, however it will be easier to preview the movie is the images are already scaled down
  • » Open QuickTime Pro
  • » Go to File → Open Image Sequence... → choose one of the images
  • » Select your preferred Frame rate, you can experiment with different frame rates to see what works best
  • » Check/play the movie, make sure there are no bad frames (e.g. not aligned properly, over- or underexposed)
  • » If there are bad frames, you can remove them either by selecting them in QuickTime and deleting them, or removing the files from the folder and rebuilding the movie
  • » Go to File → Export (if you want to save the movie at lossless quality use File → Save)
  • » Choose a codec, configure it to your specifications, choose a location to save it to, choose a name for the movie, and Export!
  • » If you want to be able to playback movies on an iPhone: Choose "Movie to iPhone" in the Export options

QuickTime 7 (free)

  • You may want to resize the images first for a smaller movie, because this can not be done when saving the movie, and playing a movie at very high resolution will probably not play smoothly
  • » Go to File → Open File... → choose the last image. this will open a new movie player with the image
  • » Now select all the other images (in the Finder/Windows Explorer), select them in correct order, then drag them on the just opened movie
  • » Each frame will be added in correct order (the order in which you selected them) and each frame will play for 1/15 seconds, so the movie will be 15 fps
  • » To save: try to close the movie window (either via the File menu or by pressing the close button), doing this will bring up the save dialog
    (note: you can not save via the menu File → Save, see screenshot)
  • » Choose "Safe as a self-contained movie" then choose a name and location for the movie and press Save
  • » This movie will be saved lossless, which means that the movie will be the combined size of all the original images that are in the movie. If you intend to distribute it over the internet; compress it first

Adobe After Effects ($200+)

  • » Go to File → Import → File... (or use cmd+I on a Mac)
  • » Navigate to the folder containing your image sequence, select all images, check the checkbox to import the image as a sequence (see Import dialog screenshot), then choose Open
  • If the images are in RAW format you will be shown a RAW settings window where you can tweak your images
  • » A new movie will appear in the Project panel of After Effects, this is the image sequence that you just imported
  • » Drag this movie either to the timeline at the bottom or into the Composition area
  • » Now you can add effects by dragging them from the Effects panel onto the composition
  • » You can also add panning, zooming and other transformation effects to your movie, by using keyframes
  • » When you are done editing there are several ways in which you can export the movie:
    •   » File → Export → MPEG-4 and use the same settings that I use to export from QuickTime.
    •   » Composition → Make Movie, this will add the movie to the Render Queue where you can choose render settings and then export the movie
File menu
Export options
Export dialog
File menu
Close dialog
Save dialog
Basic interface
Import dialog
Raw settings
Time stretch
Render queue

Advanced techniques

Preventing flicker

If you have made your Time-lapse movie on a cloudy day or with a lightbulb, the lighting conditions may have changed a lot during the shoot. This might cause flickering, brightness differences between consecutive frames, in your movie. A lightbulb can cause flickering because of the way AC power outlets works, namely at 50-60Hz. This causes slight fluctuations in the brightness of the bulb, our eyes usually don't see this because they work at ~25Hz. Therefore you will need to set your camera shutter speed slower than 1/25th of a second, preferably slower to make sure that one exposure encompasses multiple periods of fluctuations of your lightbulb, thus evening out the light changes.

Another cause of flicker in Time-lapse is 'Aperture-flicker'. This refers to the effect that the aperture of the lens does not close precisely the same amount for every photo. This means that slightly more or slightly less light will enter the camera, while the shutter speed remains the same. Here is a video that shows how the aperture blades move during the taking of a photo. There are several ways to avoid this potential problem, you can for instance shoot 'wide-open' (lowest f-stop), because then the aperture does not move at all. There are also ways to fix the aperture of a lens to a certain setting on a DSLR, by partly loosening the lens from the camera body in a particualar way, but that is more complicated.

Removing flicker

Luckily there is software out there that can help in post-processing to remove flicker. For instance, for Windows, there are a couple free deflicker plug-ins for VirtualDub (free), namely MSU Deflicker and Graft Deflicker. Another free plug-in, made for Adobe Lightroom, is LrTimelapse. There is more software that can help remove flicker, but not all are free, one of such is GBDeflicker ($80) this is a plug-in for Adobe After Effects and is available for both Mac OS and Windows.

Ramping Exposure

This is an extremely useful technique for sunset or sunrise Time-lapses, since during such an event the proper exposure for the scene changes dramatically. If you dont change the exposure of the camera accordingly, the photos will either turn black or white really fast. Ramping (changing over time) the exposure counters this by changing the exposure such to compensate for the changing light levels. When done properly it can also prevent flickering.

One method of ramping is often referred to as Bulb ramping. Devices like the Little Bramper control the camera exposure time during a Time-lapse. This requires you to turn your shutter speed to bulb mode, then the Bramper will control the exposure time (and the intervals) of the camera, which can be programmed to change over time.

Other methods are to slowly change the aperture of the lens or the ISO in the camera, or even to use combinations of changing the aperture/shutter speed/ISO.

Motion (more info soon)

There are several ways to get (camera) motion in a Time-lapse movie. First of you you can let your camera move slowly while you are shooting. Secondly you can add motion to the movie after you have shot it, by using video editing software.

Motion during shoot

You can use a Dynamic Perception setup combined with the Open Moco software to add pan and tilt to your Time-lapse movies. The software and tools are designed specifically for motion in Time-lapse, being able to move very slowly and create natural looking motion (ease-in and out).

Motion in post

Another option is to use software like Adobe After Effects to create a fake motion. You can add two keyframes to your movie in After Effects, one where the motion starts and one where it should end. Each with a different position/scale for the movie, the program will then automatically create the motion (with ease-in and out if you want) to go from one situation to the other, thus simulating motion.

Deflickering example
(QuickTime 7 required)

Aperture Motor